Books

This is my first book, a hybrid work that moves between fiction, essay, and poetry, all woven around a single question: What is power, and how does it inhabit our lives?

The book is structured in three movements:

• Sombras (Shadows) — A series of stories where power takes the shape of memory, illusion, violence, destiny, machines, or silence. From a burning piano in a Havana garage, to a door that can only be crossed with a lost ring, to the haunting logic of a circus that becomes government.
• Datos (Data) — Philosophical and historical essays on the invisible infrastructures of domination: political habits, technological systems, the architecture of obedience, the forces of nature, the seduction of simulations, and the mythologies that hold societies together or pull them apart.
• Relámpagos (Lightning) — Poems written as flashes: brief, sharp, visceral. They are the emotional pulse of the book, wounds that speak, memories that ignite, and intuitions that appear like sudden storms.

This book was written during a period of profound transition, between countries, between lives, between identities, blending childhood memories, exile, music, philosophy, science, and the shadows of political systems.

It is not a linear book. It is a score: a composition made of darkness, analysis, and illumination.

Its intention is not to offer answers, but to create resonance.

La Sospecha Razonable is a collection of twelve speculative stories where science, philosophy, and fiction intersect. Each tale explores one central theme: power, how it emerges, mutates, deceives, connects, and ultimately reveals who we are. It is the second book in a trilogy.

The stories move across radically different landscapes: ancient Egypt, Martian supermarkets, quantum laboratories, digital cities under relentless surveillance, post-human ecosystems, and near-future civilizations ruled by algorithms, paradoxes, and fragile ideologies.

Despite these variations, the book maintains a single pulse: a persistent suspicion that the world is far stranger than our certainties allow.

Origins of the book

This work was shaped not only by science fiction, but by the years I spent inside decentralized communities (DAOs and NFT ecosystems). Those spaces, brilliant, chaotic, visionary, self-destructive, became laboratories of governance, conflict, collaboration and burnout.

The book is also connected to my fascination with quantum physics, cosmology, conscious machines, and the limits of human memory. These stories emerged from that crossroads: late-night conversations in NFT spaces, readings of physics papers, real astronomical events like the arrival of the interstellar object 3I/ATLAS, and my own experience as a musician who learned that silence carries as much meaning as sound.

A journey through the history of human knowledge, from the first clay tablets of Mesopotamia to the frontiers of quantum computing. Across 23 chapters organized in 6 parts, the book traces how humanity learned to measure, calculate, record, transmit, and transform what it knows.

It integrates mathematics, astronomy, philosophy, technology, and art into a narrative that searches for the invisible connections between disciplines that academia usually keeps apart. From Babylonian astronomers and Greek geometers to the Scientific Revolution, the birth of computing, and the open questions of modern physics.

This book is freely available as an open-access publication on Zenodo.

A 300,000-year journey through the history of human spirituality, from Paleolithic caves to artificial intelligence. Across 22 chapters organized in 8 parts, the book examines why the human brain tends to produce religious beliefs, how the great spiritual traditions organized the world, and what forms the need to believe takes in a secular and technological age.

Written from the perspective of an atheist who does not dismiss what he observes, it integrates cognitive science, history of religions, anthropology, and personal reflection. From the cognitive roots of belief (HADD, Theory of Mind) through Mesopotamian temples, Judaism's portable homeland, Mesoamerican cosmovisions, African oral traditions, the institutional solidification of faith, secular ideologies, digital religion, and the emergence of AI as existential mirror.

The prologue begins in a small Protestant church in Cuba, where a boy played the piano without being able to say Amen. The epilogue returns to that same church, decades later, with the understanding that listening, without entering, is also a form of participation.

This book is freely available as an open-access publication on Zenodo.